Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Here are all the paintings of Cosimo Tura 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
52182 Allegory of July: Triumph of Jupiter Cosimo Tura Allegory of July: Triumph of Jupiter 1476-84 Fresco, 216 x 320 cm
3208 An Allegorical Figure Cosimo Tura An Allegorical Figure 1460 National Gallery, London
20066 Anthony of Padua Reading (mk05) Cosimo Tura Anthony of Padua Reading (mk05) Wood 28 x 12 1/4''(71 x 31 cm)Campana Collection,Rome;entered the Louvre in 1863
77283 Der Fruhling Cosimo Tura Der Fruhling Date Deutsch: um 1460 English: c. 1460 Medium Oil on panel Dimensions Deutsch: 116 ?? 71 cm cyf
98154 Detail Cosimo Tura Detail circa 1475(1475) Medium oil on panel cyf
52185 Madonna and Child in a Garden Cosimo Tura Madonna and Child in a Garden 1452 Oil on panel, 53 x 37 cm
53711 Madonna and child in a tradgard Cosimo Tura Madonna and child in a tradgard mk234 about 1455 53x37cm
86934 Madonna with the Child Enthroned Cosimo Tura Madonna with the Child Enthroned 1474(1474) Medium Oil on wood cyf
20065 Pieta (mk05) Cosimo Tura Pieta (mk05) Wood 52 x 105 1/2''(132 x 268 cm)Entered the Louvre in 1863
3207 Pieta (The Dead Christ Supported by Two Angels) Cosimo Tura Pieta (The Dead Christ Supported by Two Angels) 1475 Art History Museum, Vienna
42895 Saint Jerome in the Desert Cosimo Tura Saint Jerome in the Desert mk170 1475-1480 Oil and egg tempera on poplar 101x57.2cm
52187 St Francis of Assisi and Announcing Angel Cosimo Tura St Francis of Assisi and Announcing Angel c. 1475 Oil on panel, 30 x 11 cm
52186 The Madonna of the Zodiac Cosimo Tura The Madonna of the Zodiac c. 1453 Tempera on panel, 121 x 69 cm
42894 The Muse Erato Cosimo Tura The Muse Erato mk170 1459-1463 Oil on poplar 116.2x71.1cm
40211 The Spring Cosimo Tura The Spring mk156 c.1455-1460 Oil with egg tempera 116.2x71.1cm National Gallery London
42893 The Virgin and Child Enthroned with Angels Making Music Cosimo Tura The Virgin and Child Enthroned with Angels Making Music mk170 1474-1475 oil and Egg tempera on poplar 239x101.6cm
52181 Triumph of Mercury Cosimo Tura Triumph of Mercury 1476-84 Fresco, 216 x 320 cm
55962 virgin and child enthroned Cosimo Tura virgin and child enthroned mk247 c.1475,oil and egg tempera on poplar,94x40 in,239x101.5 cm,national gallery,london,uk
52188 Virgin Announced and St Maurelio Cosimo Tura Virgin Announced and St Maurelio c. 1475 Oil on panel, 30 x 11 cm

Cosimo Tura
1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.
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